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When Wine Speaks

Amor Towles has the kind of name I would expect from a masterful novelist, distinguished and full of gravitas. With just two novels to date (Rules of Civility and most recently A Gentleman in Moscow), he’s not nearly as prolific as I would like. But every word is worth it; both novels rank among my all-time favorites.

Towles writes with a timeless, classic flair that places both novels in context of a long lineage of greats. A Gentleman in Moscow,  for instance, references the great Russian novelists in style, plot and tone – all with a nice fluidity and readability that caters to even the most distracted Kindle reader (at least, as compared to Tolstoy or Dostoevsky!).

Gentleman is the story of a man sentenced to house arrest in a hotel during the Bolshevik revolution, who manages to create a fulfilling, complex life despite his confinement. The novel never wallows in despair, rather basking in the beauty of moments large and small. The prose reads like a soothing bubble bath. I couldn’t get enough.

Early in the story, our gentleman finds himself in the hotel wine cellar, where all the labels have been removed. The passage that follows embodies the book’s powerful prose:

“Picking up one at random, he reflected how perfectly the curve of the glass fit in the palm of his hand, how perfectly its volume weighed upon the arm. But inside? Inside this dark green glass what exactly? A Chardonnay to complement a Camembert? A Sauvignon Blanc to go with a chevre?

“Whichever wine was within, it was decidedly not identical to its neighbors. On the contrary, the contents of the bottle in his hand was the product of a history as unique and complex as that of a nation, or a man. In its color, aroma, and taste, it would certainly express the idiosyncratic geology and prevailing climate of its home terrain. But in addition, it would express all the natural phenomena of its vintage. In a sip, it would evoke the timing of that winter’s thaw, the extent of that summer’s rain, the prevailing winds, and the frequency of clouds.

“Yes, a bottle of wine was the ultimate distillation of time and place; a poetic expression of individuality itself. Yet here it was, cast back into the sea of anonymity, that realm of averages and unknowns.”

Have you ever heard a bottle of wine more beautifully described? And if Towles can evoke all of that with a wine bottle, what can he do with a full novel? His prose gave me hope that there is always beauty even in adversity, and that community will get us through anything.

Art – in this case, a novel – did its job once again, this time shoring me up through its beauty and depth.

What have you read that inspired you lately? Let me know in the comments.

 

 

The Sound of a Million Walnuts Cracking

The Brand New Testament, a Belgian movie playing at Real Artways, is one of those should we/shouldn’t we movies. Those movies where there’s no way to know what to expect, and the premise just seems so wacky that either you dive in and trust it will be an experience, no matter what, or skip it and go to happy hour instead.

Since I trust Real Artways, I decided to dive in, and I’m so glad I did.

I won’t spend too much time explaining the movie, but I’ll just give you the first lines of the blurb, which made me laugh. THE BRAND NEW TESTAMENT begins with one simple conceit: G-d exists, and He’s a jerk. He lives in a high-rise apartment in Brussels and never gets out of His pajamas.” 

I would venture that the conceit of this movie is anything but simple. Audacious, confusing, challenging, intriguing…Not simple. It certainly gives the movie a hook. What makes the movie worth watching is G-d’s daughter, Ea, who is delightful, defiant, and up to good things, with her band of wacky apostles.

What I loved most about the movie wasn’t its charm, its wit, or its imagination. The best part was its celebration of sound.

As a writer, I try to pay attention to all five senses when creating a scene. Sound is so hard to capture. So when someone does it particularly well, I notice.

The Brand New Testament is an homage to sound, creating more than a soundtrack and more than simple sound effects. In essence, it creates a complete soundscape that adds depth and delight to the movie.

Imagine 300 men cracking walnuts all at once. Can you hear it?

Or a laugh like a million pearls bouncing off of concrete stairs.

Those are real elements to The Brand New Testament‘s soundscape.

Ever since seeing the movie, I’ve been hearing things. I’ve been noticing sound anew, with heightened senses. And isn’t that what art is meant for?

 

 

Safety Pins

In November, safety pins found a new purpose as a social justice tool. They had already captured the imagination of artist Tamiko Kawata. Kawata uses safety pins as medium. It’s got me thinking about them differently and appreciating their beauty. And isn’t that what art is all about?

Check her out at: http://www.browngrotta.com/Pages/kawata.php

Art to Action

When life gets rough, I reach for art first. In recent weeks, I’ve needed grounding, connection and inspiration — and generations of artists have supplied that for me, in every form. Whether an act of defiance, celebration, connection or rebirth, art always has something to say to spur us forward.

This blog will be my personal attempt to seek and share art that moves me and, hopefully, inspires you to act for a better world, however you imagine it.